Films : Camouflage : all

animate! synopsis

Voiced visions of the voices in the head as multiform memories of parental paranoia get the heightened reality they require.

Case-studies committed to celluloid. Sketches of schizophrenia that draw on reality and the time in the big house, behind the trees, too far from the road.

long synopsis

Camouflage by Jonathan Hodgson explores the experience of the child growing up with a schizophrenic parent. Based on extensive research it compares a personal account with the experience of others, using interviews, drawings and animation, live action and digital composition.

The live action, shot on 16mm, is based on the director’s own memories growing up with a schizophrenic parent. The animation is based on interviews with other people who had one or more schizophrenics in the family.

The interviewees were asked to describe what they remember of their thoughts and feelings at the time and how their perception of reality may have been distorted by what was going on.

key credits

director
Jonathan Hodgson
director of photography
Mike Beresford-Jones
live-action producer
Clare Spencer
animator
Tim Webb
Siri Melchior
editor
Tania Trohoulia
producer
Jonathon Bairstow

Jonathan Hodgson

biography

Jonathan Hodgson was born in Oxford, U.K. in 1960 and educated at Liverpool Polytechnic and the Royal College of Art. Jonathan has been a Freelance Animation Director since 1985, setting up ‘Sherbet’ with Producer Jonathan Bairstow in 1996 to produce commercials, TV graphics & short films.

animate! films by this artist

Camouflage

Feeling My Way

artist’s website

Hodgson Films

Jonathan Hodgson’s website

a film by Jonathan Hodgson

direction

director
Jonathan Hodgson

cast in picture

elder girl
Lydia Pala
younger girl
Alice Keane
younger boy
Tom Wallis
mother
Naomi Seekings
father
David Benson
male guest
Johnny Hannah
female guest
Kirsten Peebles
nurse
Clare Spencer

live-action personnel

director of photography
Mike Beresford-Jones
gaffer
Matt Butler
live-action producer
Clare Spencer

image personnel

animator
Tim Webb
Siri Melchior
animation assistance
Shelley Revill
Emily Mantell
compositor
Donovan Hide
Donovan Hide
editor
Tania Trohoulia

production personnel

technical support
Luke Carpenter
producer
Jonathon Bairstow

support

primary funding

Arts Council of England and Channel Four

© Jonathan Hodgson 2001

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film still:

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MANAND~1

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BLUEAN~1

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MANATS~1

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MOTHER~2

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technical

process summary

Drawings on paper were treated in different ways: some were artworked onto Chinese calligraphy paper using paint, biro, chinagraph, tippex and ink. Some were hand coloured digitally using the programme Painter.

Some sequences were shot using a DV camera with insufficient light. These images were then digitized in low resolution and the filters of the line testing software CTP, normally used to clean up the image, were pushed in the opposite direction creating artifacts. The sequences were then composited and coloured in After Effects. Some sequences were animated with marker pen then scanned into the computer. Again the resolution was low and filters were pushed in the wrong direction to mess the image up.

The live action ‘flashbacks’ were telecined, then digitized and then graded to give a slightly old-fashioned look. Where there is a crossover from live action to animation the live action was rotoscoped to become literally a hand drawn tracing which would be scanned and coloured using Painter and After Effects. The two versions of the same movement would be blended together to make a seamless transition also using After Effects.

master copy format

colour or black & white
colour

video distribution format

video format
DigiBeta
screen aspect ratio
16:9
video standard
PAL
sound type
stereo

distributor

LUX
info@lux.org.uk
+44 (0)20 7503 3980
www.lux.org.uk